1.Thomas Sutcliffe means when he says ‘
Films need to seduce their audience into long-term commitment. While there are
many types of seduction, the temptation to go for instant arousal is almost
irresistible ‘. Is that the film needs to immediately please you from the beginning,
otherwise what is the point of going to see the film if you are not instantly
in love with it. Otherwise how will the Director keep the audience interested?
2. The director Jean Jacques Beineix says
that the risks of instant arousal might give all the excitement at the
beginning and has nothing to compare it with. The audience will not want to
watch the rest of the film.
3. A good beginning must make the audience
feel that it doesn’t know nearly enough yet, and at the same time make sure
that it doesn’t know too little, this is because the beginning shows too much
the audience will loose interest and will not want to watch the film.
4. Stanley Kauffman classic opening would
be that the opening should be some fort of establishing shot of the surrounding.
That leads the camera going slowly the main characters /objects/place. This
will typically show the building it takes place in and then the window in the
building, which leads to the action within the room. This works as it allows the
audience to know where the scene is going and what environment its going to be
in. And to tell the audience what the film is roughly about.
5. Kyle Coopers title sequence for the film
seven is so effective as the ways the letters move on the screen like they are
trapped and are trying to escape, by using a lot of close ups makes the film mysterious,
leaving the audience wanting more. The music is amazing and gives you the
creeps. From the opening we might also guess that the characters cutting faces
from newspapers, crossing eyes and sawing the paper might be crazy, they might
have some kind of mental disorder, maybe they are some kind of mental disorder,
maybe they are some kind of crazy serial killer….
6. Orson Welles
wanted to achieve in the beginning of A Touch of Evil, suspense by putting in
an explosion that the audience was not expecting, he was planning to do this by
having people acting as they would on a normal day, and then suddenly have the
car explode. However universal studios put title credits over the opening,
which ruined the effects. They did this, as they wanted to be recognized and
known.
7. A favorite
trick of film noir is when the opening of the film starts with the ending, the
rest of the film shows the sequence to how they ended up in that position at
the beginning, this leaves the audience asking ‘ why did it happen?’ ‘Who caused this to happen?’. However keeping
the suspense is very difficult as the action happened at the beginning and we
know already the ending.
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