Throughout the planning and editing of the title sequence. For me personally, I feel as it has been easier to get things done with a semi structured planned. In terms of having a plan of how we want the beginning and end for the title sequence to be. As we filmed, we gradually grew into making improvised shots and ideas just seem to appear out of nowhere. Plus, in terms of editing, it would have made our title sequence way too long to get through, as it would have been more than at least 4 minutes if we did so. So I'm more than glad, we started to be creative and think outside of the box. We were able to explore our options and that lead us to getting really good shots, that worked well in portraying the message in our story. It also helped with us leaving the audience in suspense, as at first when you first start watching it, you're trying to connect the dots and find out the relation between the girls and the attack.
Likewise, in terms of the music/back track. I stuck with the track I mentioned in the planning of the title sequence, which consisted of Krept and Konan. However, the other in which I thought they should be, changed whiles edited, because I thought that song parts of the song would match specific parts of the story. So in a sense making everything flow and make more sense. Meanwhile, conveying the popular youth trends in music(that being Krept and Konan). As they still matched the storyline and the lyrics also went well in some aspects.
In terms of adding credits. As we didn't use the typical convention of set frames of credits. In the title sequence, its more simplified and brief. I've tried to only use those that will make sense with our title sequence, as we have to bare in mind that we're an independent film production team, that won't have enough money to get all of those aspects as intended in a typical credit frame. But nevertheless, it still consists of the title of the sequence, the actors, music by, production/distribution/written by/ producer.
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